Leelo Tungal

***[Kõik sõbrauksed enesele naelutand]

语言: 爱沙尼亚文

翻译: 德文 (*** [Vernagelt sind mir aller Freunde Türen]), 世界文 (***[Eknajlis pordojn de amikoj mi sen pent´])

***[Kõik sõbrauksed enesele naelutand]

Kõik sõbrauksed enesele naelutand,
ma tulen, hoolimata kõigest olnust
suurt võõrast teed, mis puudeta ning kaevuta,
ja pähe pilved pudenevad tolmuks.

Juus lehvib taevas nõelteta ning paeluta
ja aega jalgu kängitseda polnud.
Kas suudan sind veel praegu nõnda paeluda
vaid sellega, et jälle olen tulnud?

Kas jätkub mullegi su jälleleitud lembusest
ja silmist, mis ehk muutunud on ammu?
Ent siiski, lämbununa tulekutee lämbusest,

ma tulen – kahetsedes iga sammu.
Näen äkki sind. Kaob tuulde trots ja uhkus –
su pilgus sulan merekarva suhkruks.

Leelo Tungal

Foto © Jüri J. Dubov

* 22.06.1947, Tallinn, 爱沙尼亚
居住于：Tallinn, 爱沙尼亚

Leelo Tungal is a poet, prose writer and translator. She has written more than 70 books for children and young people, both prose and poetry, and 12 poetry collections for adults.

Tungal made her debut at the age of 18 during the "golden sixties". Her early works are characterized by a bright sense of nature rich in nuances. Angsts and hopes, as well as a sensitive and immediate sharing in social changes all arise in Tungal's poems published in the late 80s. In the early 90s, hesitations and sometimes dark moods are expressed in her poetry collections. In the 2000s, Tungal has moved towards a more distanced perspective and an analytic tone.

Foto © Jüri J. Dubov

The chief editor of the younger children’s magazine Hea Laps, Tungal loves humour. She is a popular author of song lyrics and has created several opera libretti. Tungal has translated poetry primarily from Russian (Bella Akhmadulina, Maya Borissova, Marina Chvetayeva) and Finnish, but also Bulgarian and Polish.

Leelo Tungal´s novels Seltsimees laps ja suured inimesed (Comrade Kid and the Grown-Ups, 2008), Samet ja saepuru (Velvet and Sawdust, 2009) and Naisekäe puudutus ehk Seltismees laps ja isa (A Woman´s Touch: Comrade Kid and Dad, 2018) are based on memories from her childhood during the first half of the 1950s.

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