Our houses are one step from the gutter. Plastic curtains
or cheap prints hide what is dark behind windows –
the pedalled sewing machine, the photos, the paper rose
on its doily. The porch rail is lined with red tins.
A man’s passing height is the same size as their doors,
and the doors themselves, usually no wider than coffins,
sometimes have carved in their fretwork little half-moons.
The hills have no echoes. Not the echo of ruins.
Empty lots nod with their palanquins of green.
Any crack in the sidewalk was made by the primal fault
of the first map of the world, its boundaries and powers.
By a pile of red sand, of seeding, abandoned gravel
near a burnt-out lot, a fresh jungle unfurls its green
elephants’ ears of wild yams and dasheen.
One step over the low wall, if you should care to,
recaptures a childhood whose vines fasten your foot.
And this is the lot of all wanderers, this is their fate,
that the more they wander, the more the world grows wide.
So, however far you have travelled, your
steps make more holes and the mesh is multiplied –
or why should you suddenly think of Tomas Venclova,
and why should I care about whatever they did to Heberto
when exiles must make their own maps, when this asphalt
takes you far from the action, past hedges of unaligned flowers?