Roland Jooris

YARDBIRD

jezik: nizozemščina

prevodov: angleščina (Yarbird), španščina (Yardbird), estonščina (YARDBIRD), francoščina (YARDBIRD), madžarščina (Yardbird), švedščina (Yardbird), češčina (Yardbird)

YARDBIRD

( I )

ik zou die avondlijke
merel in mijn tuin op
een tak in een gedicht
willen zetten, maar waarom
zou ik, hij zit per slot
van rekening daar waar
hij zitten moet: in een
gedicht daarbuiten.

(II)

dank u wel, gewoon
applaus is voldoende,
zo wimpelde yardbird
charlie laaiende ovaties
af

en ook die merel
in mijn tuin heeft
na een meeslepende solo
aan wat gemijmer
genoeg

bij het minste handgeklap
ritst hij het donker
in

prevodov:

jezik: angleščina

Yarbird

I would like to place
that nightly blackbird
on a branch in a poem,
but after all why should
I, it’s perched there
where it should be: in
a poem out there.

thank you so much, just
applause will do, that’s
how yarbird charlie
dismissed the flaring
ovations

and that blackbird
in my garden too
can make do with
some musing after
a stirring solo

at the slightest clap of hand
he swishes off into
the dark

jezik: španščina

Yardbird

1
me gustaría poner
a ese mirlo vespertino
en mi jardín sobre una rama
en un poema; pero, ¿por qué
habría de hacerlo ? si
en definitiva está
donde ha de estar : en
un poema allí afuera.

2
muchas gracias, un aplauso
normal es más que suficiente,
así declinaba yardbird
charlie las fervorosas
ovaciones

y también ese mirlo
en mi jardín tras su solo
cautivador
se contenta
con cavilar un poco

al menor aplauso
se escabulle entre el
follaje

jezik: estonščina

YARDBIRD

ma oma aia õhtuse
musträsta tahaks panna
ühe luuletuse oksale,
kuid miks ma peaks,
ta istubki lõppude
lõpuks ju seal, kus
ta istuma peab: seal väljas,
ühes luuletuses.

2

suur tänu, lihtsalt
aplausist piisab,
nii tõrjus yardbird
charlie kuumad ovatsioonid
tagasi
ja rästalgi
mu aias on
kaasakiskuva soolo järel
vaiksest mõtlusestki
küll
nõrgemastki käteplaginast
pageb ta
pimedusse

jezik: francoščina

YARDBIRD

je voudrais poser
sur la branche d’un poème
ce merle du soir
dans mon jardin, mais pourquoi
le faire, puisqu’en somme il se trouve
là où il doit être : dans un
poème, là, dehors.

non, un simple
applaudissement suffit,
c’est ainsi que yardbird
charlie écartait le délire
des ovations

et de même ce merle
dans mon jardin,
après un solo entraînant,
se contente de quelque
rêverie

au moindre claquement de mains
il s’échappe dans la
nuit

jezik: madžarščina

Yardbird

1
szeretném azt az esti
rigót kertemben egy
ágra ültetni valami
költeményben, de miért is
tenném, végtére
ott ül,
ahol ülnie kell: egy
versben odakinn.

2
köszönöm, az egyszerű
taps elég lesz,
így hárította yardbird
charlie a hangos ovációt
el

és az a rigó is
kertemben egy
elragadó szóló után
megelégszik némi
zsongással

már a tenyér halk összeütésére is
röppen a sötétbe
fel

jezik: švedščina

Yardbird

1
jag skulle vilja sätta
den kvällssjungande koltrasten
på en gren i en dikt
i min trädgård, men varför
skulle jag det, den sitter ju
när allt kommer omkring
där den hör hemma: i en
dikt någonstans därute.

2
tack så mycket, det räcker
med vanliga applåder,
så avfärdar yardbird
Charlie alla översvallande
ovationer

och även koltrasten
I min trädgård
nöjer sig
efter ett medryckande solo
med lite drömmeri

vid minsta handklappning
fladdrar den bort i
mörkret

jezik: češčina

Yardbird

1
rád bych toho večerního
kosa na zahradĕ
usadil na vĕtev své
básnĕ, ale proč
bych to dĕlal, sedí
koneckonců tam
co má: ve
venkovní basin.

2
dĕkuji, obyčejný
aplaus stači,
tak vykáže yardbird
Charlie bouřlivé ovace
ven

a stejnĕ tak kosovi
u mĕ na zahradĕ
po strhujícím sólu
ta trocha podumání
stačí

při nejmenšim zatleskání
odfrčí to tmy
pryč

Roland Jooris

* 22.07.1936, Wetteren, Belgija
živi v: , Belgija

Although Roland Jooris published a relatively small number of poetry volumes over a period of forty years, they nevertheless succeeded in earning his a substantial reputation. In the wake of postwar experimentalism, in the late nineteen-fifties he published several hermetic collections, which he later rejected. Only ten years later did he ‘debut’ once more with poems in the vein of new realism, a trend in Dutch poetry that focuses on the ordinary day-to-day reality.In his work, Jooris goes in search of points of contact between poetry and reality. In his later work, too, reality remains the point of departure, but the poet endeavours to distil it even further, transforming it into a nucleus of calm, illusion and spiritualisation.

Jooris’ poetry evolves along the way into more stubborn terseness, into more language ascesis and calm. It is an evolution from concrete visibility to more abstract contemplation, from euphoria with regard to reality as poetry to the distillation of poetry as reality. His poetry is striking in its great expressive power, in its pureness of line and speech. French poetry has been a major influence in his work and he has a great admiration for the writings of André Du Bouchet and Pierre Reverdy.

Painting is a second inspiration for his work, much of which first saw the light of day in bibliophile collections, where his poetry was linked with images by his favourite painters. In addition to being a poet, Jooris is also a renowned art critic and champion of the art of painting. He has written essays on such painters as Raoul De Keyser, Eugene Leroy and Roger Raveel.

In daily life, Jooris used to be for a long time the curator of the Roger Raveel museum. In 2005 Jooris won the prestigious three annual Flemish Culture Prize for his collection Gekras (Scribblings).

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