Anne Seidel

*** [und das ist (erst) der anfang]

jezik: nemščina

prevodov: angleščina (*** [and that is (only) the beginning]), makedonščina (*** [и ова е (само) почетокот])

*** [und das ist (erst) der anfang]

und das ist (erst) der anfang, das chaos, das umschattete verstoerte, welches den raum der vermischten praesenz aufzeigt. hier. eine lampe, ein tisch, ein stueck papier, die ganze welt in kisten, bis auf ein paar buecher. montale vor allem. die reise: ein abdruck der lautlosen folge ineinander gesprochener worte. sprach man sich zuvor an - so mit dem bedauern des geringsten. aber ja, sage ich dennoch. kleine dinge. wassergeraeusche, die nacht wird regiert und ein laut dringt durch die leerstellen der baeume, wie durch die schlaefen einer weißen entropie.

Anne Seidel

Foto © Rainer Böhme

* 29.12.1988, Dresden, Nemčija
živi v: Dresden, Nemčija

Anne Seidel is a poet and artist from Dresden. Her debut Chlebnikov weint (published by Poetenladen Verlag, 2015) was selected in 2016 by Marion Poschmann for the Poetry Recommendations of the German Academy for Language and Poetry and the Lyrikkabinett Munich and was awarded as Best Poetry Debut of the Year at the House for Poetry in Berlin. Anne Seidel studied Slavonic Literatures and Eastern European History in Giessen, Minsk and London. Her poems have been translated into English, French, Macedonian, and Turkish and published in national and international anthologies.

Foto © Rainer Böhme

In 2020 the bilingual volume Khlebnikov pleure (Chlebnikov weeps) was published in a translation by Laurent Cassagnau by Éditions Unes in France. Anne Seidel has initiated conceptualistic sound art projects like signal dispersion with different artists and musicians and exhibited the sound installation sound memories. Sinistra is the name of her current musical project with the theater composer Daniel Williams. A project in which sound art and language stand next to each other in equal position.

Marion Poschmann writes about her poetry: “In Chlebnikov weeps Anne Seidel writes forth the tradition of Russian modernism. Rail journeys through Siberia, a lot of snow full of tracks that dissolve again, but also the Soviet history with its deportations and prison camps form the motivic structure. With an atmospheric, ostensibly classic vocabulary a space of consciousness is being created in these poems which overrides the logical structure of language and instead engenders breaks, canting and openings - always looking for a fundamental silence from which perceptions can set themselves apart fleetingly. 'Because to understand nothing / is the only way to understand something', says the opening poem of this intense, highly energetic debut volume. After reading Chlebnikov weeps one understands much better what understanding could be."

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