Daniel Falb

*** [sieh diesen handlungsfamilien beim wohnen zu]

jezik: nemščina

Prevodi: angleščina (*** [observe these families of behavior at living]), portugalščina (*** [vê estas famílias-de-atividade a viverem])

*** [sieh diesen handlungsfamilien beim wohnen zu]

I dwell in Possibility...
Emily Dickinson

sieh diesen handlungsfamilien beim wohnen zu. heute ist der tag der sechs milliarden.
historische schlachten stellen uns nach und wir sie.

von histaminen überwältigt kommen somit viele natürlich zur welt....... ein über jahre
geprobter, über jahre nicht aufgeführter festumzug.

.................überlegene formen des schämens, der sterilisation, wenn du ein kitten bist.
die hervorbringung des gesichtes als enthaarung und weltausstellung.

crystal palace zeigt das feuer selbst der nationen wie der gebürtlichkeit........... das ist
die adresse eines strauches, eines blättchens, eines zellhaufens.

ich betrat den länderpavillion und kam als großfamilie wieder heraus. ich verpflanzte
1967 das erste menschliche herz, in zwillinge.

bequeme laufwege verlinken die sande, bequeme laufzeiten erleuchten sie flammend,
die biennale. einfarbig ausgemalte makrophagen.

..................welche werkphase ist das und was davon bleibt. die abstoßung der organe.
die abstoßung, der hand, der künstlerin.

Prevodi:

jezik: angleščina

*** [observe these families of behavior at living]

I dwell in Possibility...
Emily Dickinson

observe these families of behavior at living. now we have the day of six billion.
historical battles reenact us and we, them.

overwhelmed by histamines many therefore are born naturally.......... a carnival
rehearsed for years, but never staged for years.

..........................superior forms of shame, of sterilization, when you're a kitten.
the production of the face as hair removal and world fair.

crystal palace exhibits the very fire of nations and of natality................. here is
the address of a shrub, a small leaf, a clump of cells.

i entered the national pavilion and exited as an extended family. I transplanted
in 1967 the first human heart—into twins.

convenient walkways link the sands, convenient run times light them up
flamingly, the biennale. monochrome colored-in microphages.

.........................which phase of work is that and what of it remains. the rejection
of the organs. the rejection of—the hand, the artist.

jezik: portugalščina

*** [vê estas famílias-de-atividade a viverem]

I dwell in Possibility …
Emily Dickinson

vê estas famílias-de-atividade a viverem. hoje é o dia dos seis mil milhões.
batalhas históricas assombram-nos e nós executamo-las.

...arrebatados por histaminas, assim de forma natural vêm muitos ao mundo.
cortejo muitos ano ensaiado, muitos anos nunca apresentado.

.........formas superiores da vergonha, da esterilização, quando tu és un petit
chat. produzir um rosto, como depilação e exposição mundial.

o crystal palace revela o fogo, das nações e o da natalidade................... isto
é o endereço de um arbusto, de uma pequena folha, um novelo de células

............................entrei no pavilhão do país e saí como um clã. transplantei
em 1967 o primeiro coração humano, em gémeos.

..........confortáveis percursos hiperligam as areias, confortáveis transcursos
inflamam-na, a bienal. macrófagos preenchidos numa única cor.

que fase da obra é esta, e o que sobra dela.................... a rejeição dos orgãos.
a rejeição, da mão, da artista.

Daniel Falb

Foto © private

* 11.10.1977, Kassel, Nemčija
živi v: Berlin, Nemčija

Daniel Falb (b. 1977) is a poet and philosopher. He grew up in Kassel and has lived in Berlin since 1998, where he studied Philosophy and gained his doctorate with a thesis on the Idea of Collectivity. His first book of poems, die räumung dieser parks was published by kookbooks in 2003, with more following with the same publisher.

As well as poetry, Falb works on questions of geophilosophy and poetics. He was a collaborator in the collective poetics project Helm aus Phlox (with Ann Cotten, Hendrik Jackson, Steffen Popp and Monika Rinck, Merve 2011) and appears in the anthology Anthropozän. Dichtung in der Gegenwartsgeologie (Verlagshaus Berlin 2015).

In his challenging poems Falb casts a universal look at life, in which we are all part of a generational chain. Time and again they centre on questions of palaeontology and the climate, with the addition of the element of conservation and archiving. He also develops these themes in his “Svalbard Paem”, written in 2018, about the Spitzbergen seed bank and the sound archive lyrikline. It was published by kookbooks in 2019 along with three other longer poems in his latest collection Orchidee und Technofossil.

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