Anja Kampmann

felder, offen für jedes licht

Pesmi

• 1 planetarium | Prevodi: enptja
• 2 maulwurf | Prevodi: en
• 3 felder, offen für jedes licht | Prevodi: enpt
• 4 dnipro | Prevodi: en
• 5 Great Pacific [garbage patch]
• 6 wir bleiben noch das abendlicht | Prevodi: enhe
• 7 [sein fliegen liegt nicht in der anatomie] | Prevodi: enitmkpt
• 8 Minsk | Prevodi: enhehuitmk
• 9 maribor | Prevodi: elenesheitmksq
• 10 Versuch über das Meer | Prevodi: eleneshuitpt
• 11 globus | Prevodi: enelhuitmkpt
• 12 ausmaß | Prevodi: enit
• 13 [Leichthin] | Prevodi: arenesit
• 14 moorchaussee | Prevodi: enit
• 15 steilküste | Prevodi: elenitmk
• 16 (für I. | Prevodi: enitmkpt
• 17 [eine landschaft die daliegt] | Prevodi: it

jezik: nemščina

Prevodi: angleščina (Fields,), portugalščina (campos, abertos a qualquer luz)

felder, offen für jedes licht

als würden sie ihre eigenen ränder
wieder und wieder nachziehen
sich ihrer lage vergewissern
als wäre da nichts als die lage
die gelassenheit, in der sich die farben sammeln
in streifen, zacken, angeschrägten kästen
ohne tiefe
wie etwas vorübergehendes
lack, den du mit einem nagel abkratzt
das bild, das wir voneinander behalten
ohne zu verstehen.

Prevodi:

jezik: angleščina

Fields,

free-for-all light,

as if pulling their own edges up again,

again making sure they are still there.

Colors compose themselves in tranquility

In stripes, spikes, slightly

sliding squares.

No depth,

like something passing through,

glaze scratched off with a

nail images for each other

we get and can’t grasp.

jezik: portugalščina

campos, abertos a qualquer luz

como se estivessem a delinear os seus contornos
uma e outra vez
assegurando-se da sua posição, como se
nada mais houvesse do que a sua posição
a serenidade com a qual se juntam as cores
dentro de riscas, ângulos, quadrados inclinados
sem profundidade,
como uma coisa temporária
verniz, que arrancas com uma unha
a imagem que temos um do outro,
sem perceber porquê.

Anja Kampmann

Foto © Juliane Henrich

* 30.10.1983, Hamburg, Nemčija
živi v: Leipzig, Nemčija

Anja Kampmann 

Anja Kampmann, born 1983 in Hamburg, studied at the University of Leipzig and the German Literature Institute. In 2011 she was a fellow of the International Writing Program Iowa, after which she began a dissertation on Samuel Beckett's late prose (Musikalität & Stille) as well as work for radio. Her poetry debut 'Proben von Stein und Licht' (Samples of Stone and Light) was published in 2016 in the Edition Lyrik Kabinett by Hanser, followed in 2017 by a volume of prose biographies 'Fischdiebe' (Fish Thieves) in a bibliophile edition of 100 copies. In 2018, the novel "Wie hoch die Wasser steigen" was also published by Hanser; the novel was nominated for the Leipzig Book Fair Prize and the German Book Prize and translated into six languages. For it, the author received the Mara Cassens Prize for the best novel debut in 2019, the Förderpreis Literatur of the city of Lüneburg, the Lessing Förderpreis of the Free State of Saxony in 2019. In 2019/2020, she is the Stadtschreiberin of Bergen-Enkheim. With "High as the Waters Rise" the translation of "Wie hoch die Wasser steigen" she was a finalist of the National Book Awards 2020 in the USA. In 2020 she received the Rainer Malkowski Prize of the Bavarian Academy of Fine Arts. Her poetry collection "Der Hund ist immer hungrig" was published by Hanser Verlag in 2021; translations into Arabic, Italian, English and French are in progress. 2022 scholarship holder of the Roger Willemsen House and the German Literature Fund. Kampmann is currently working on her next novel and a musical piece with the composer Elnaz Sayedi.

Foto © Juliane Henrich

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