Ernest Farrés 
Author

Стихотворения

Original

Übersetzung

ALLÒ QUE SAP MÉS GREU каталанский

Переводы: es

to poem

CAPE COD SUNSET, 1934 каталанский

Переводы: en it oc

to poem

CONSEQÜÈNCIES BONES DEL PAS DEL TEMPS каталанский

Переводы: es de

to poem

HOTEL ROOM, 1931 каталанский

Переводы: en es it oc de

to poem

NIGHT WINDOWS, 1928 каталанский

Переводы: en it oc

to poem

QUÈ SE'N PENSA DELS POETES каталанский

Переводы: es de

to poem

ROOMS FOR TOURISTS, 1945 каталанский

Переводы: en es it oc

to poem

STAIRWAY, 1949 каталанский

Переводы: oc en es it

to poem

SUMMER IN THE CITY, 1949 каталанский

Переводы: en es it oc

to poem

SUN IN AN EMPTY ROOM, 1963 каталанский

Переводы: en es it oc

to poem

Ernest Farrés 
Author

Foto © Georgina Miret
* 1967, Barcelona, Испания
Место жительства: Barcelona, Испания
Ernest Farrés is a journalist and writer. He works for the cultural supplement of La Vanguardia newspaper. He is the author of six volumes of poetry in Catalan: Clavar-ne una al mall i l’altra a l’enclusa (1996), Mosquits (1998), Edward Hopper (2006), Els efectes imprevisibles dels camps magnètics (2011), Blitzkrieg (2011) and Los Angeles (2015). Edward Hopper constitutes a sequence of poems based on the pictorial work of this renowned artist, which has garnered various awards, including the Robert Fagles Prize for the best translation of contemporary poetry into English (to the translator Lawrence Venuti, 2008). He has edited a reference anthology for young Catalan poets: 21 poetes del xxi (21 Poets of the 21st Century, 2001).

Foto © Georgina Miret
In the words of the poet and critic Àlex Susanna, “Farrés is the type of author who is quite atypical, who has made himself unhurriedly but with an admirable stubbornness, steering entirely clear both of stardom and the prevailing gregarious spirit. […] The tone of his poems is as prosaic as that of a novel, because it shies away from lyrical incandescence and endeavours to adapt to the prose of life. His gain will have consisted precisely of being able to produce a high level of output on working days – and its sporadic counterpoints – that shape and misshape the life of ordinary people, whether painted or written.”