I keep the queen, she is long in my hand,
her legs slightly pliant; 
folded, dropped down, wings flat
that flew her mating flight
to the sun and back, full of spermatozoa, dronesong.
She was made mechanically ecstatic.
I magnify what she is, magnify her skews and centres.
How downy she is, fur like a fox's greyness, like a thistle's mane.
Wings perfect, abdomen subtle in shades of brittle;
her rear legs are big in the lens;
feet like hung anchors are hooks for staying on cell-rims.
Veins in her wings are a rootwork of rivers,
all echo and interlace. This is her face, compound eye.
I look at the slope of her head, the mouth's proboscis;
her thin tongue piercing is pink as cut flesh, flash glass.
Some hairs feather and split below the head.
Those eyes are like castanets, cast nets;
woman all feral and ironwork, I slip
under the framework, into the subtle.
The wing is jointed at the black leather shoulder.
I wear it, I am soft to stroke, the lower blade fans.
Third generation queen of our stock,
you fall as I turn. I hold your hunchback;
a carcase of lightness, no grief, part animal, part flower.