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  •  

Rochelle Potkar

Skirt

  • 1 Biscooti Love
  • 2 Skirt | Translations: de
  • 3 Transmogrified | Translations: de
  • 4 Knotted inside me
  • 5 Disquiet | Translations: de
Language: english
Translations: german (Rock)
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Skirt

I.

I watch a video of women cycling in short dresses talking of how not to flash.

They wide-angle their legs, pull the back of their skirts

and with a coin and a rubber band marry it to the front of their skirts;

it becomes a pant.

 

I think of their legs in the sun, delicately agile on swerving bicycles.

 

In the country where I live, clothes that show leg, armpit, curve of breast invite brutality.

Not postcard beauty.

 

Veils, purdahs, stoles, dupattas, and leggings are needed to cover up.

 

Short skirts are not about fashion or suiting body types, but about freedom.

 

One day we will get there: cycling in the sun on slippery rain-kissed paths

where smaller solutions will be our search

the larger ones done.

 

We will divide the skirt into a pant.

 

Or maybe not even.

 

II.

The women in the video talk back.

They turn and smile their gorgeous smiles.

“Yes we wear skirts and show our thighs,” they say.

“But freedom is relative like time, like poverty.”

 

“We might not get killed but don’t ever think nothing else happens to us.”

 

“Did you know of the woman who walked 10 hours

on a social experiment through New York

and collected 108 vile propositions?”

 

“Your culture compels you to hide than show.

We want that.

So we don’t have to be doll-sexy all the time.

… to prove our beauty, femininity.

Our thighs can be. Our anatomy...

We.”

 

“If we wrap ourselves in yards and yards like in your country

we are looked at as regressed, unsexy.”

 

III.

The women in the video and I turn to you:

 

Why should the world be telling us what is less and what is more?

How we should wear what we wear in this tug of fabric, fabric of war?

Five centimetres or nine yards, head naked or covered up,

Waist seen or shown?

 

Why is the world telling us what to wear? All the time?

Why is this our most silent, daily question:

‘what to wear?’

And is it for ourselves or for someone else that we ask this?

© Rochelle Potkar
Audio production: The Enchanting Verses Literary Review, 2018

Translations:

Language: german

Rock

I.

Ich gucke ein Video, in dem fahrradfahrende Frauen in kurzen Kleidern darüber reden, wie man dabei nicht allzu viel zeigt.

Sie winkeln ihre Beine weit an, nehmen den Rock von hinten

und verbinden den hinteren und vorderen Rockteil mit einer Münze und einem Gummiring;

der Rock wird zur Hose.



Ich male mir ihre nackten Beine in der Sonne aus, wie sie zart und kraftvoll durch die Gegend kurven.


In dem Land, wo ich lebe, laden Kleider, die ein Bein, eine Achsel oder den Ansatz einer Brust enthüllen, zu Grausamkeit ein.

Nichts mit Postkartenidylle.



Schleier, Purdahs, Stolen, Dupattas und Leggings dienen der Bedeckung.



Bei kurzen Röcken geht es nicht um Mode oder Körpertyp, sondern um Freiheit.


Der Tag wird kommen, an dem die Sonne scheint und wir auf rutschigen, regenbenetzten Wegen Fahrrad fahren

auf der Suche nach kleineren Lösungen

die größeren gefunden.



Unsere Röcke machen wir zu Hosen.



Wenn überhaupt nötig.



II.

Die Frauen im Video sind schlagfertig.

Sie drehen sich um und lächeln ihr breitestes Lächeln.

„Klar, wir tragen Röcke und zeigen unsere Oberschenkel“, sagen sie.

„Aber Freiheit ist relativ, wie Zeit oder Armut.“



„Auch wenn wir nicht getötet werden, ist es nicht so, als ob uns nie etwas passiert.“



„Habt ihr von der Frau gehört, die als Experiment

zehn Stunden durch New York gelaufen ist

und 108 Mal angemacht wurde?“



„Eure Kultur zwingt euch zum Verstecken, ihr könnt euch nicht zeigen.[1] 

Wir wollen das.

Damit wir nicht dauernd das sexy Püppchen spielen müssen.

… um unsere Schönheit, Weiblichkeit zu beweisen.

Unsere Oberschenkel sind erlaubt. Unser Körper …

Wir.“



„Wenn wir uns meterweise in Stoff einwickeln wie bei euch,

dann denkt man, wie wären rückschrittlich, unattraktiv.“



III.

Die Frauen im Video und ich, wir meinen:



Warum darf die Welt uns sagen, was zu wenig ist und was zu viel?

Dass wir dieses oder jenes tragen müssen, während alle daran zerren, am Stoff, aus dem die Kriege sind?

Fünf Zentimeter oder acht Meter, bloßer oder bedeckter Kopf,

Die Taille erahnt oder sichtbar?



Warum sagt uns die Welt, was wir anziehen sollen? Andauernd?

Warum lautet unsere tiefste, tägliche Frage:

„Was soll ich anziehen?“

Und stellen wir uns die Frage für uns selbst oder für andere?


Kund*in: In diesem Absatz scheint ein Dialog zu stecken, allerdings stehen nur ganz am Anfang und am Ende Anführungszeichen. Ist das ein Fehler oder sollen die verschiedenen Stimmen vermischt werden?

Übersetzung: Lisa Jeschke & Tabea Magyar für Gegensatz Translation Collective
previous poem
   (Biscooti Love)
2 / 5
nächstes Gedicht
(Transmogrified)   
listen to all poems

Rochelle Potkar

photo © Rochelle Potkar
* 09.03.1979, Kalyan, India
lives in: Mumbai, India

An alumna of Iowa’s International Writing Program, and Charles Wallace Writer’s fellowship, Rochelle Potkar was the winner of the 2016 Open Road Review contest for The leaves of the deodar. Her poem The girl from Lal Bazaar was shortlisted for the Gregory O' Donoghue International Poetry Prize, 2018. Her poem Place won an honorable mention at Asian Cha’s Auditory Cortex. Her poem Skirt was made into a poetry film by Philippa Collie Cousins for the Visible Poetry Project. 

 photo © Rochelle Potkar
She is the author of The Arithmetic of Breasts and other stories and Four Degrees of Separation, and the co-editor of the Joao Roque Literary Journal (with chief editor Selma Carvalho) that promotes literature around Goa. She is also editor of the Goan-Irish anthology, Goa: a garland of poems with transcreations by Gabriel Rosenstock; and of the collected works of Joseph Furtado - Golden Goa! and Songs in Exile, due soon.  Her story Chit Mahal (The Enclave) appears in The Best of Asian Short Stories, Kitaab International. 

Paper Asylum by Copper Coin Publishing is her latest book.  

Publications
  • The Arithmetic of breasts and other stories

    20 Notebooks Press, 2014

  • Four Degrees of Separation

    Paperwall, 2015

  • Paper Asylum

    Copper Coin, 2018

Awards
  • 2018 Shortlist, Gregory O' Donoghue International Poetry Prize for the poem The girl from Lal Bazaar

  • 2016 Open Road Review contest

Links
  • Rochelle Potkar's website

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