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Yolanda Castaño

A POESÍA É UNHA LINGUA MINORIZADA

  • 1 HISTORIA DA TRANSFORMACIÓN | Translations: deesenfrzhcsithrslmkro
  • 2 MAZÁS DO XARDÍN DE TOLSTOI | Translations: endefrzhcsithrslmkroesru
  • 3 *QUE É DOR/ A DOR QUE DE VERAS SENTE | Translations: esdeensr
  • 4 Pasei tantas veces por aquí… e nunca vos vira. | Translations: enzhes
  • 5 METROFOBIA | Translations: esfrsrzh
  • 6 LISTEN AND REPEAT: un paxaro, unha barba. | Translations: esfrensr
  • 7 LESS IS MORE | Translations: esenfr
  • 8 PAN DE CELEBRACIÓN | Translations: esensrzh
  • 9 A POESÍA É UNHA LINGUA MINORIZADA | Translations: esenfr
  • 10 COUSAS QUE COMEZAN POR Y | Translations: esenfrsr
Language: galician
Translations: spanish (LA POESÍA ES UNA LENGUA MINORIZADA), english (POETRY IS A MINORIZED LANGUAGE), french (LA POÉSIE EST UNE LANGUE MINORISÉE)
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A POESÍA É UNHA LINGUA MINORIZADA

Comezaría polo espesor. A súa acidez, o seu ph.

Camiña igual ca unha muller:
entre o masacre do invisible
e o campo de concentración da visibilidade.

Ladra estilo e final,
unha épica hospitalaria.

No poema a linguaxe
faise ouvidos xordos a si mesma,
nel as palabras amplían
o seu círculo de amizades.

Hai que masturbar o abecedario
ata que balbuza cousas
aparentemente inconexas.

Caixa de cambios da fala,
acenos doutra orde.
O sorriso do mosquito dentro da pedra de ámbar.

Non se trata de que non comprendas árabe.
Non entendes

poesía.

© Yolanda Castaño
From: A segunda lingua
Santiago de Compostella: PEN Clube de Galicia, 2014
Audio production: Literaturwerkstatt Berlin, 2015

Translations:

Language: spanish

LA POESÍA ES UNA LENGUA MINORIZADA

Comenzaría por el espesor. Su acidez, su ph.

Camina igual que una mujer:
entre la masacre de lo invisible
y el campo de concentración de la visibilidad.

Ladra estilo y final,
una épica hospitalaria.

En el poema el lenguaje
se hace oídos sordos a sí mismo,
en él las palabras amplían
su círculo de amistades.

Hay que masturbar el abecedario
hasta que balbucee cosas
aparentemente inconexas.

Caja de cambios del habla,
gestos de otro orden.
La sonrisa del mosquito dentro de la piedra de ámbar.

No se trata de que no comprendas árabe.
No entiendes

poesía.

De A Segunda Lingua [La segunda lengua] (ed biling, 2014)
Language: english

POETRY IS A MINORIZED LANGUAGE

I shall begin with its density. Its acidity, its ph.

It walks just like a woman:
between the massacre of the invisible
and the concentration camp of visibility.

It barks style and goals,
an hospitable epic.

In the poem, language
deafens ears to itself;
in it, words expand
their circles of friendship.

The alphabet must be masturbated
until it babbles apparently
unrelated things.

Shifting gears in speech,
gestures from another order.
The mosquito's smile within the amber stone.

It is not that you don't understand Arabic.
You don't understand

poetry.

Translation: Lawrence Schimel
Language: french

LA POÉSIE EST UNE LANGUE MINORISÉE

Je commencerais par l'épaisseur. Son acidité, son ph.

Elle marche comme une femme :
entre le massacre de l'invisible
et le camp de concentration de la visibilité.

Elle aboie style et finale,
une épique hospitalière.

Dans le poème le langage
se fait des bruits sourds à lui-même,
en lui les mots amplifient
leur cercle d'amitiés.

Il faut masturber l'abécédaire
jusqu'à ce qu'il balbutie des choses
apparemment décousues.

Boîte de vitesses de la langue,
gestes d'un autre ordre.
Le sourire du moustique dans la pierre d'ambre.

Ce n'est pas que tu ne comprends pas l'arabe.
Tu ne comprends pas

la poésie.

Traduit par Frederic Bourgeois
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Yolanda Castaño

photo © Pedro Castro
* 19.04.1977, Santiago de Compostela, Spain
lives in: A Coruña, Spain

Yolanda Castaño (Santiago de Compostela, Spain, 1977). BA in Spanish Language and Literature and with Media Studies, apart from being a poet, editor and an very active culture manager, Yolanda Castaño has been a columnist and has worked in Galician TV during many years (Galician Audiovisual Academy Award as ‘Best TV Communicator 2005’).
She has published 6 poetry books in Galician and Spanish (“Depth of Field”and “The second tongue” are her last titles), several chapbooks and a pair of compilations. She has won poetry awards amongst which the National Critics Award, the Espiral Maior Poetry Award, the Fundación Novacaixagalicia, the Ojo Crítico (best poetry book by a young author in Spain) and Author of the Year Galician Booksellers’ Award stand out, apart from being shortlisted for the National Poetry Prize.

 photo © Gabriel Tizon
She is a relevant cultural activist, regularly organizing monthly poetry reading series, festivals, literary and translation workshops, all of them hosting local to international poets (Galician Critics’ Award Best Cultural Manifestation 2014). She was the General Secretary of the Galician Language Writers Association and she has made her contribution to many written media, books, anthologies, conferences and many readings or multimedia poetry performances inside and outside Galicia, including many international poetry festivals and meetings, mostly around all Europe and America but also in Tunisia, China and Japan.

She has coordinated collective books, art and poetry exhibitions, she has published works as an editor, as well as five poetry books for children and four of translations (from contemporary authors like Nikola Madzirov or Marko Pogačar, among others, into Spanish and Galician). She has been involved in many different experiences of blending poetry with music, performance, dance, architecture, visual and audiovisual arts, and even cookery, being awarded for that too. Some of her poems have been published translated into twenty languages. She held three international fellowships as a writer-in-residence, at the IWTCR in Rhodes (Greece) and in Villa Waldberta (Munich - Germany) in 2011, at the HIP-Beijing (China) in 2014 and in Scotland for 2016.

Publications
  • Elevar as pálpebras

    La Coruña: Espiral Maior, 1995

  • Delicia

    La Coruña: Espiral Maior, 1998

  • Vivimos no ciclo das erofanías

    La Coruña: Espiral Maior, 1998

  • Edónica

    La Coruña: Espiral Maior, 2000

  • O libro da egoísta

    Vigo: Galaxia S.A., 2003

  • Libro de la egoísta

    Madrid: Visor, 2006

  • Profundidade de Campo

    La Coruña: Espiral Maior, 2007

  • Erofanía

    Espiral Maior, 2009

  • A segunda lingua

    Santiago de Compostella: PEN Clube de Galicia, 2014

  • Profundidad de campo

    Madrid: Visor, 2009,

  • La segunda lengua

    Madrid: Visor, 2014,

Awards
  • 1994 III Premio Fermín Bouza Brey

  • 1997 II Premio de Poesía John Carballeira

  • 1998 Premio Nacional de la Crítica (poesía en gallego)

  • 2007 Premio de poesía Espiral Maior

  • 2009 Premio El Ojo Crítico de RNE (best poetry book by a young author in Spain)

  • 2014 Premio Novacaixagalicia

  • 2015 Finalista del Premio Nacional de Poesía (shortlisted for the National Poetry Award)

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