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  •  

Lawrence Ferlinghetti

To the Oracle at Delphi

  • 1 Pictures of the gone world 1 | Translations: deru
  • 2 Pictures of the gone world 11 | Translations: de
  • 3 A Coney Island of the mind 1 | Translations: dehe
  • 4 A Coney Island of the mind 9 | Translations: dehe
  • 5 A Coney Island of the mind 20 | Translations: dehe
  • 6 A Coney Island of the mind 29 | Translations: de
  • 7 A Far Rockaway of the heart 21 | Translations: deherutr
  • 8 To the Oracle at Delphi | Translations: dehe
  • 9 History of the airplane | Translations: deru
  • 10 Allen Ginsberg dying | Translations: deherutr
Language: english
Translations: german (An das Orakel in Delphi), hebrew (לאורקל בדלפי)
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To the Oracle at Delphi

Great Oracle, why are you staring at me,
do I baffle you, do I make you despair?
I, Americus, the American,
wrought from the dark in my mother long ago,
from the dark of ancient Europe –
Why are you staring at me now
in the dusk of our civilization –
Why are you staring at me
as if I were America itself
the new Empire
vaster than any in ancient days
with its electronic highways
carrying its corporate monoculture
around the world
And English the Latin of our days –

Great Oracle, sleeping through the centuries,
Awaken now at last
And tell us how to save us from ourselves
and how to survive our own rulers
who would make a plutocracy of our democracy
in the Great Divide
between the rich and the poor
in whom Walt Whitman heard America singing

O long-silent Sybil,
you of the winged dreams,
Speak out from your temple of light
as the serious constellations
with Greek names
still stare down on us
as a lighthouse moves its megaphone
over the sea
Speak out and shine upon us
the sea light of Greece
the diamond light of Greece

Far-seeing Sybil, forever hidden,
Come out of your cave at last
And speak to us in the poet's voice
the voice of the fourth person singular
the voice of the inscrutable future
the voice of the people mixed
with a wild soft laughter –
And give us new dreams to dream,
Give us new myths to live by!

This is the poem written to speak to the Oracle at Delphi for UNESCO's  
World Poetry Day, March 21st, 2001.

© L.F.
From: unveröffentlichtes Manuskript
Audio production: 2004 M.Mechner / Literaturwerkstatt Berlin
Categories: mythology

Translations:

Language: german

An das Orakel in Delphi

Großes Orakel, warum starrst du mich an,
verwirre ich dich, stürze ich dich in Verzweiflung?
Ich, Americus, der Amerikaner,
gezerrt aus dem Dunkel in meiner Mutter vor langer Zeit,
aus dem Dunkel des alten Europa –
Warum starrst du mich jetzt an
in der Abenddämmerung unserer Zivilisation –
Warum starrst du mich an
als wäre ich ganz Amerika
das neue Weltreich
größer als alle des Altertums
das mit seinen elektronischen Autobahnen
seine Konzern-Monokultur
auf der ganzen Welt verbreitet
Und Englisch das Latein unserer Tage –

Großes Orakel, Jahrhunderte hast du verschlafen,
Erwache jetzt endlich
Und sage uns wie wir uns vor uns selber retten sollen
und wie wir unsere eigenen Herrscher überleben sollen
die eine Plutokratie machen wollen aus unserer Demokratie
in dem Großen Graben
zwischen den Reichen und den Armen
in denen Walt Whitman Amerika singen hörte

Ach lange verstummte Sybille,
du mit den geflügelten Träumen
Erhebe die Stimme in deinem Tempel aus Licht
während die ernsten Sternbilder
mit griechischen Namen
noch immer auf uns herabstarren
wie ein Leuchtturm mit seinem Megaphon
das Meer bestreicht
Erhebe die Stimme und leuchte uns
mit Griechenlands Meereslicht
mit Griechenlands Diamantlicht

Weit blickende Sybille, für immer verborgen,
Komm endlich heraus aus deiner Höhle
Und sprich zu uns mit der Stimme des Dichters
der Stimme der vierten Person Einzahl
der Stimme der unergründlichen Zukunft
der Stimme der Menschen vermischt
mit einem wilden, sanften Lachen –
Und gib uns neue Träume zu träumen,
Gib uns neue Mythen zu leben!


Dieses Gedicht wurde verfasst zur Rezitation
vor dem Orakel von Delphi am World Poetry Day der UNESCO
am 21. März 2001.

Aus dem Amerikanischen von Klaus Berr
Language: hebrew

לאורקל בדלפי

אוֹרקל אדיר, למה אתה נועץ בי מַבָּט,                       

האם אני מביך אותךָ, מביא אותךָ לידי יֵאוּש?

אני, אמריקוּס, האמריקני,

שנוֹצקתי לפני שנים רבות מן החֹשך שבְּאִמִּי,                         

מחשכַת אירופה הקדוּמה –                                    

למה אתה נועץ בי מַבָּט עַכְשׁיו

בדמדומי השקיעה של תרבותנו –                              

למה אתה נועץ בי מבט

כאִלו הייתי אמריקה עצמה                       

האימפריה החדשה

רחבת ידיים מכל אחרת בִּיְמֵי קדם

על כבישיה החשמליים     

נושאת את חַד-זַנִיוּתהּ התַּאֲגִידית

סביב העולם

ואנגלית היא הלטינית של ימינו –

אוֹרקל אדיר, הנם במרוצת הַמֵּאות,                      

התעורר סופסוף עכשיו

והגד לנו איך להִגאֵל מעצמנו                  

ואיך לשרוד את שליטינו                

שהיו הופכים את הדמוֹקְרַטְיָה שלנו לִפְּלוּטוֹקְרַטְיָה                 

בחלוקה הגדולה                                         

בין העשירים לַעניים                       

שבתוכם שמע וולט ויטמן את אמריקה שרה

תרגום: יעל גלוברמן
Yael Globerman
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Lawrence Ferlinghetti

photo © gezett.de
* 24.03.1919, Yonkers, New York, United States
† 22.02.2021, San Francisco, United States

A prominent voice of the wide-open poetry movement that began in the 1950s, Lawrence Ferlinghetti has written poetry, translation, fiction, theater, art criticism, film narration, and essays.

Ferlinghetti was born in Yonkers in 1919. He received a Master’s degree from Columbia University in 1947 and a Doctorate de l’Université de Paris (Sorbonne) in 1950. In 1953, with Peter D. Martin, he founded City Lights Bookstore, the first all-paperbound bookshop in the country, and by 1955 he had launched the City Lights publishing house. His publication of Allen Ginsberg’s Howl in 1956 led to his arrest on obscenity charges, and the trial that followed drew national attention to the San Francisco Renaissance and Beat movement writers. This landmark First Amendment case established a legal precedent for the publication of controversial work with redeeming social importance.

 photo © gezett.de
Ferlinghetti’s paintings have been shown at various galleries around the world, from the Butler Museum of American Painting to Il Palazzo delle Esposizioni in Rome.

Ferlinghetti’s A Coney Island of the Mind continues to be the most popular poetry book in the U.S. It has been translated into nine languages, and there are nearly 1,000,000 copies in print. The author of poetry, plays, fiction, art criticism, and essays, he has a dozen books currently in print in the U.S., and his work has been translated in many countries and in many languages. His most recent books are A Far Rockaway of the Heart (1997), How to Paint Sunlight (2001), and Americus Book I (2004) published by New Directions.

Ferlinghetti died on February 22, 2021, at his home in San Francisco at age 101.

Publications
  • Pictures of the Gone World

    San Francisco: City Lights, 1955

  • A Coney Island of the Mind

    New York: New Directions, 1958

  • Her

    New York: New Directions, 1960

  • Routines

    New York: New Directions, 1964

  • An Eye on the World

    Selected Poems

    MacGibbon & Kee, 1967

  • Back Roads to Far Places

    New York: New Directions, 1971

  • Ausgewählte Gedichte

    Zürich: Diogenes-Verlag, 1972

  • Open Eye, Open Heart

    New York: New Directions, 1973

  • Who Are We Now?

    New York: New Directions, 1976

  • Gedichte

    München (u.a.): Carl Hanser Verlag, 1980

  • Endless Life

    Selected Poems

    New York: New Directions, 1981

  • Over All the Obscene Boundaries

    European Poems and Transitions

    New York: New Directions, 1984

  • When I Look at Pictures

    Peregrine Smith Books, 1990

  • A Far Rockaway of the Heart

    New York: New Directions, 1997

  • Gesang für Kerouac & andere Gedichte

    Göttingen: AltaQuito, 1998

  • How to Paint Sunlight

    New York: New Directions, 2001

  • Transformationen

    Göttingen: AltaQuito, 2001

  • Americus Book I

    New York: New Directions, 2004

  • A Coney Island of the Mind. A Far Rockaway of the Heart.

    Gedichte. Aus dem Amerikanischen von Klaus Berr.

    München: Sammlung Luchterhand, 2005

Awards
  • 1996 Robert Kirsch Award

  • 1996 BABRA Award for Lifetime Achievement

  • 1996 Ivan Sandrof Award for Contribution to American Arts and Letters

  • 1998 San Francisco’s Poet Laureate

  • 1999 Earl Warren Civil Liberties Award

  • 2003 Robert Frost Memorial Medal

  • 2003 Author’s Guild Lifetime Achievement Award

  • 2005 Literarian Award (from The National Book Foundation)

  • 2007 Commandeur, French Order of Arts and Letters

  • 2012 Janus Pannonius International Poetry Prize from the Hungarian PEN Club

Links
  • Lawrence Ferlinghetti @ City Lights

    books, interviews, bibliography, paintings, new pomes etc.

  • Lawrence Ferlinghetti - No Escape Except Peace

    S Press tape #72 (1981) and many other readings of Ferlinghetti @ PennSound

  • Lyrikschaufenster: Marion Poschmann spricht über „A Coney Island of the Mind 1“ von Lawrence Ferlinghetti

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