renshi.eu [GR-RO-FI-SK-NL-LT-FR-GR]

LT – Gabrielė Labanauskaitė

Language: lithuanian
Translations: german (Litauen – Gabrielė Labanauskaitė), english (Lithuania – Gabrielė Labanauskaitė)

LT – Gabrielė Labanauskaitė

Mūsų lyderiams taip patinka būti panašiems į tėvus,
Nepaisant to, kad tėvai jau seniai neparneša namo mamuto.
Mūsų ekonomikai taip patinka būti panašiai į mamą,
Dažniausiai ji stengiasi būti stabili ir atsakinga,
Bet jei pratrūksta, peša slapta cigaretę po cigaretės.

Mūsų biržos akcijoms taip patinka būti panašioms į seseris
Jos ginčijasi tarpusavyje ir vagia vienos kitų veidrodėlius.
Mūsų kapitalui taip patinka būti panašiam į brolį -
Dažniausiai į vyriausiajį brolį - jis žino, ko reikia.

Mūsų žiniasklaidai patinka būti panašiai į pirmos eilės pusseserę
Skleidžiančią gandus po kiekvieno giminių baliaus.
Mūsų reklamos panašios į hiperaktyvias dukterėčias,
O nekilnojamas turtas panašus į nuo viršsvorio kenčiantį dėdę.

Mūsų belyčiai nuodai yra arčiausiai kūno.
Mūsų belyčiai nuodai išsišakoja kaip medis,
Kraujagyslių medis ištiestose rankose.

Aš neturiu šeimos.
Anksti tapau našlaite.

© Gabrielė Labanauskaitė
Audio production: renshi.eu @ poesiefestival berlin 2012

renshi.eu [GR-RO-FI-SK-NL-LT-FR-GR]

* 02.06.2012
lives in: left to right,

Yannis Stiggas (born 1977 in Athens, Greece) has published three collections of verse and his poems have also appeared in many magazines and anthologies. In 2007 he performed in the intothepill project in the Karaoke Poetry Bar in Athens. His poems impress with the power of their imagery and language. By opposing the internal and the external view, and abstract and sensual observations, his texts hover on the margins of perception.

Publications:

Ο δρόμος μέχρι το περίπτερο [The Way to the Kiosk] (Mikri Arktos, 2012)

Poetry collection with German translations: Edition Poesiefestival Berlin (hochroth, 2010)

Ισόπαλο τραύμα [An even wound] (Kedros, 2009)

Η όραση θ' αρχίσει ξανά [Vision will start again] (Kedros, 2006)

Η αλητεία του αίματος [The Vagabondage of blood] (Gavrilidis, 2004)

Svetlana Cârstean (born 1969 in Botosani, Romania) studied Romanian and French literature and is part of the group around Mircea Cărtărescu, one of Romania’s most significant proponents of postmodernism. She founded the literary circle Central. She has worked as a freelance journalist for press and televisions and had edited various magazines and anthologies. Her highly emotional and playful poems have brought her much attention at home and abroad as well as prizes and fellowships. Her first book, Floarea de menghină [The Vice Flower] was presented at the Bucharest Book Fair in June 2008 and was awarded the Poetry Debut Prize of the Romanian Writers‘ Association, the Mihai Eminescu National Prize, the Debut Prize of the magazine România literară and the Poetry Prize of Radio Romania Culture. Svetlana Cârstean lives and works in Bucharest, where she teaches French and is currently working on three long poems.

Publications:

Tablou de familie (Ed. Leka-Brîncus1995)

Floarea de menghina (Ed. Cartea Româneasca 2008)

Harry Salmenniemi (born 1983 in Jyväskylä, Finland) is treated as a promising young poet to watch in Finland. His publications to date include two books of verse and a novel. He is primarily interested in experimental poetry, naming his main influences as Flarf poetry and the Oulipo group, whose aim is to extend language via formal restraints. In the past few years Harry Salmenniemi has also been working as the editor of Finland’s biggest poetry magazine, Tuli & Savu and working on various creative projects with artists, musicians and circus artistes. Having lived for long periods in Rome and Melbourne, he has developed an aversion to the Finnish winter and hopes to be able to return to Italy soon.

Publications:

Virrata että (To stream that) (Otava 2008)

Texas, sakset (Texas, scissors) (Otava 2010)

Runojä (Poems) (Otava 2011)

Martin Solotruk (born 1970 in Bratislava, Slovakia) has published four books of verse in all and his poems have appeared in various anthologies (including New European Poets and Poesie in Europa). In 1997 his first collection Tiché vojny (Silent Wars) won him the Slovak Literary Fund Award. Solotruk is the poet of everyday things, of the conventional and unassuming. It is precisely in the microstructures that inaccessible truths are reflected that are hard to grasp. He has a doctorate in translation studies, and previously worked in advertising and television. He now teaches at the University of Bratislava. He translates poetry and plays by Samuel Beckett, Charles Simic, John Ashbery and Ted Hughes. For his translation of Ted Hughes’ Crow he won the 2007 prize for the best artistic translation.

Publications (selection):

Tiché vojny (Silent Wars) (Drewo a srd 1997)

Mletie (Wind-milling) (Drewo a srd 2001)

Lovestory: Agens apaciens (Ars Poetica 2007)

Ester Naomi Perquin (born 1980 in Utrecht, The Netherlands) grew up in the Dutch province of Zeeland. She worked as a prison warder to pay her way through university in Amsterdam. She has spent the last ten years living in Rotterdam and working as a writer, holding the office of City Scribe for 2012. She has received many awards for her work in the Netherlands in the past few years, including the 2007 Liegend Konijn Prize for the best first collection, the 2010 Anna Blaman Prize and the 2011 J.C. Bloem Poetry Prize. For one award, one of her poems was translated into the 23 official languages of the European Union.

Publications:

Servetten halfstok, (Oorschot B.V. 2007)

Namens de ander (Oorschot B.V. 2009)

Celinspecties (Oorschot B.V 2012)

Gabrielė Labanauskaitė (born 1980 in Klaipeda, Lithuania) is a writer and book critic and also works at the Lithuanian Music and Theatre Academy as a lecturer in Drama. Her plays The One that hurts the most, Circus and In-fucked have received many awards and have been performed in Finland, Sweden and the UK. Gabrielė Labanauskaitė’s art encompasses poetry, song and performance. She has released several CDs and DVDs with the collective A Vaspo, which transforms her texts into an atmospheric weave of sounds, combining electronic and experimental acoustic elements. Since 2006, Gabrielė Labanauskaitė has been organising Lithuania’s annual and only audio-visual poetry festival, the Tarpfest.

Publications:

Apelsinai aikštėj apgriuvusioj (Oranges on a Wretched Square) (2004)

Poetry, music and video collaboration Avaspo (Audiovisual Asp of Poetry) (2009)

Jean-Baptiste Cabaud (born 1970 in Chambéry, France) worked as a graphic artist for ten years before devoting himself fully to poetry. His first collection, Les Mécaniques, came out in 2008. He regularly performs his poems on stage, either alone or with his electronic band Saint Octobre. The group’s poetic music, together with the video art of Derviches Associés is used for short films that are shown at international poetry film festivals. In 2007 Jean-Baptiste Cabaud published a children’s book and he regularly gives writing workshops in schools and libraries.

Publications:

Le Petit Inconnu au Ballon (Éditions Le Baron Perché 2007)

Les Mécaniques (À Plus d’un Titre éditions 2008)

Le Coeur du Monde Extraordinaire (poetic writing workshop with 600 children from Saint-Étienne, France) (Saint-Étienne 2011)

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