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Bartomeu Fiol

La poesia no pot limitar-se al llenguatge

  • 1 Enc que siguem porucs | Translations: ende
  • 2 La poesia no pot limitar-se al llenguatge | Translations: de
  • 3 L’arada i la terra | Translations: endees
  • 4 Matèria de graffiti | Translations: enfrdees
  • 5 No ens mourem d’aquí | Translations: ende
  • 6 Ni són tan difícils els nostres bonyeguts frontals | Translations: ende
  • 7 Poesia és una mena de mecànica... | Translations: nlenroesde
  • 8 Poeta for the hell of it | Translations: nlenroesde
  • 9 Vernacle sense escola | Translations: esde
Language: catalan
Translations: german (Die Dichtung kann sich nicht auf die Sprache beschränken)
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La poesia no pot limitar-se al llenguatge

Willst du nur hören, was du schon gehört?
                                               GOETHE, Faust

La poesia no pot limitar-se al llenguatge, a cap llenguatge.
Tota literatura és provinciana. Si empram els mots,
si tot discurs es perfila en sintagmes, el nostre dir
no és mai de cap combinatòria el mer esclat.
El nostre dir és un servent del verb.
I les asèpsies normatives, tan profilàctiques,
no són més que les serventes del servent.

Per descomptat,
la poesia no es troba sols en els poemes.
La poesia no és tampoc cap artefacte.
La poesia no és un mer joc de formes.

Ancilla Domini, vaga o divaga ben a lloure
dins l’obert d’un espai
corbat o no: epifania ocasional,
mostració autosuficient de si mateixa,
quan ella vol, sols quan ella vol.

De fet, evidentment,
la poesia és part de la realitat i es troba feta.
Qualque cosa, alguna cosa, molta més cosa
ha ferit els lletraferits que la lletra.

Perquè la lletra, sempre, abans és veu
i abans realitat amb escreix,
matèria en excés, en vertader excés, aclaparadora d’allò més.

El que n’arreplegam són quatre miques
i el que fa gràvid el nostre arreplec
és sols la cita amb la madona
a qualque casa de barrets
o a l’obert de l’erm d’Edom.

© Bartomeu Fiol
From: Catàleg de matèries
El Tall Editors, 1998
Audio production: Institut Ramon Llull
Categories: language, poetry & poets, writing (poetry)

Translations:

Language: german

Die Dichtung kann sich nicht auf die Sprache beschränken

Willst du nur hören, was du schon gehört?
                                    Goethe, Faust

Die Dichtung kann sich nicht auf die Sprache beschränken, auf keine Sprache.
Jede Literatur ist provinziell. Wenn wir die Wörter verwenden,
wenn der ganze Diskurs in Syntagmen verläuft, ist unser Sprechen
nie bloßer Ausbruch einer Kombinatorik.
Unser Sprechen ist ein Diener des Worts.
Und die aseptischen, prophylaktischen Regelungen
sind nichts weiter als Dienerinnen des Dieners.

Selbstverständlich,
Dichtung findet sich nicht bloß in Gedichten.
Dichtung ist auch kein künstliches Gebilde.
Dichtung ist kein reines Spiel mit Formen.

Ancilla Domini, schweift sie oder schweift sie ab nach Gutdünken,
im Freien eines vielleicht gekrümmten
Raums: gelegentliche Epiphanie,
selbstgenügsame Aufführung ihrer selbst,
wenn sie will, und nur, wenn sie will.

Ja, offensichtlich
ist die Dichtung ein Teil der Wirklichkeit und fertig vorzufinden.
Etwas, etwas anderes, etwas viel Größeres
als die Schrift hat die Schriftsüchtigen süchtig gemacht.

Denn die Schrift ist immer zuerst Stimme
und davor ein Übermaß an Wirklichkeit,
ein Exzess von Materie, ein wahrer Exzess, regelrecht erschlagend.

Was wir davon einsammeln, sind ein paar Krümel,
und was unser Bündel erst schwer macht,
ist einzig die Verabredung mit unserer Angebeteten
in irgendeinem Freudenhaus
oder im Freien auf dem Brachland Edens.

Aus dem Katalanischen von Claudia Kalász
previous poem
   (Enc que siguem...)
2 / 9
next poem
(L’arada i la terra)   
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Bartomeu Fiol

photo © private
* 12.11.1933, Palma, Spain
† 08.08.2011, Spain

Bartomeu Fiol (1933) has a degree in Political Science. He has worked in the hotel and catering business, as a bookseller and cultural promoter. He was president of the cultural association Obra Cultural Balear (1990 – 1992), and has published numerous opinion pieces in the press.

His poetry has figured prominently on the Catalan poetry scene in the Balearic Islands since the publication of his first book Calaloscans (Dogcove, 1966).

 photo © private
A disciple of Blai Bonet and Bartomeu Rosselló-Pòrcel, he was a member of Llorenç Villalonga’s literary circle that met in the Cafè Riskal in Palma in the 1950s, although he is essentially a solitary poet who has developed his work outside the aesthetic trends of the day.

In 1999, he published the anthology Tot jo és una exageració (Quaranta-nou textos orals perifèrics) [I Am All Exaggeration (Forty-nine Peripheral Oral Texts)], and began to assemble his complete poetic oeuvre in Camps de marina i suburbials:

obra poètica 1 (Marine and Suburban Fields: Poetic Work 1, 2000),

Cròniques bàrbares: obra poètica 2 (Barbarian Chronicles: Poetic Work 2, 1999) and Canalla lluny de Grècia: obra poètica 3 (Scoundrel Far from Greece: Poetic Work 3, 2001).

“For Fiol, the limits are in literature itself, and syntagmas and their sequence do not ever make us have a dream or figure out a request that is so effective that it makes the Madonnas or angels act, recurring pretexts of an incomplete hope. In the limits, however, he defends the inscrutable, notwithstanding the difficulty of combat. The lethargy for the difficulties of language is expressed in the parody and humour of some Baroque-like plays on language, ever on the border of modernity and the vast legacy of tradition.” Susanna Rafart

Publications
  • Calaloscans

    [‘Dogcove’]

    Palma: Daedalus, 1966

  • Catàleg de matèries

    [‘Catalogue of Materials’]

    Palma: El Tall, 1998

  • Cave carmina, cape canes

    Palma: Moll, 1998

  • Cròniques bàrbares. Obra poètica 2

    [‘Barbarian Chronicles: Poetic Work 2’]

    Barcelona: Proa, 1999

  • Camps de marina i suburbials. Obra poètica 1

    [‘Marine and Suburban Fields: Poetic Work 1’]

    Barcelona: Proa, 2000

  • Canalla lluny de Grècia. Obra poètica 3

    [‘Scoundrel Far from Greece: Poetic Work 3]

    Barcelona: Proa, 2001

  • Càbales del call

    [‘Khabbalas of the Ghetto’]

    Barcelona: Proa, 2005

  • Continuació o represa del poemes de Montsouris

    [‘Continuation of the poems of Montsouris]

    Barcelona: Proa, 2007

  • D'un cànon socarrat. Materials de 1957 i 1958

    Palma: Lleonard Muntaner, 2009

Prizes
  • 1969 Premi Ciutat de Palma-Joan Alcover de poesia

  • 1999 Premi Cavall Verd-Josep M. Llompart de poesia

  • 2000 Premi Crítica Serra d'Or de poesia

  • 2004 Premi Carles Riba

Links
  • Website (en)
  • Internetauftritt des Dichters

    Website (en)
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