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Cole Swensen

Ghost Stories - The Ghost Dance

  • 1 Empty Body | Translations: de
  • 2 Who Only Living | Translations: de
  • 3 I Was Walking Through | Translations: de
  • 4 What Ghosts | Translations: de
  • 5 Ghost Stories - Defoe's Story | Translations: de
  • 6 Ghost Stories - Le Fanu's Story | Translations: de
  • 7 Ghost Stories - James’ Story | Translations: de
  • 8 Ghost Stories - The Ghost Dance | Translations: de
  • 9 Ghost Stories - If | Translations: de
  • 10 Ghost Stories - The Ghost Orchid | Translations: de
Language: english
Translations: german (Geistertanz)
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Ghost Stories - The Ghost Dance

Emile Berliner, one of the first developers of the gramophone, recorded numerous Arapaho,
Commanche, and Caddo ghost dances, as well as a Paiute gambling song, and published
them in July,1894.

                         When from the door I saw him coming

The Ghost Dance dates to 1888, when, based on a vision he had during a solar eclipse, the
Paiute mystic Wovoka claimed the earth would soon end, and therefore inherited, especially
through dancing, in which one dies for a minute

                           Then saw I               the many plainly

Wovoka’s vision of non-violent resistance was shared by Tolstoy: To you can no damage be,
who turns again

   And saw that they, in numbers entering

The ghost dances were recorded by the ethnologist James Mooney, who may in some cases
also have played them.

Tolstoy published The Kingdom of God is Within You in 1894, in which the other cheek in
which one sees

the Ghost Dance movement largely died out after Wounded Knee (December 29, 1890) in
which some had believed

the Ghost Dance shirt is impervious to bullets

a rag flies around the sun at specific intervals

Thomas Edison filmed a Sioux ghost dance on September 24, 1894—or more precisely, he
filmed a dance that featured true ghost dance costumes, but the documentation carefully
states that it is not an authentic ghost dance bending as the light will not

It is 1894, and the gramophone is being sold in a shop in Baltimore. In fact, by fall, they will
have sold over 1000 playing machines, and some 25,000 records    ashless   the voices; we
have come no closer

that blank that stills and faces fast                 in which they turn and slowly halt

and latch you in the glance. The dance, brief and the ghost

lived within                   whatever we were
was photographed with the lights out.

© Cole Swensen
From: Gravesend. Unpublished manuscript
Audio production: Literaturwerkstatt Berlin 2010
Categories: history, theater & dance

Translations:

Language: german

Geistertanz

Emile Berliner, einer der ersten Grammophon-Entwickler, nahm zahlreiche
Geistertänze der Arapaho, Caddo und Comanche auf, sowie einen
Spielersong der Paiute, die er im Juli 1894 veröffentlichte.

Als ich von der Tür ihn kommen sah

Der Geistertanz stammt aus dem Jahr 1888, als der Paiute-Schamane
Wovoka nach einer Vision während einer Sonnenfinsternis behauptete, die
Welt würde bald aufhören, und darum geerbt, zumal durchs Tanzen, bei
dem man für Sekunden stirbt

Dann sah ich deutlich die Mengen

Wovokas Vision eines gewaltfreien Widerstands wurde von Tolstoi geteilt:
Dir kann kein Schaden sein, der du dich wieder drehst

Und sah dass sie in Scharen Eingang

Aufgenommen wurden die Geistertänze von James Mooney, Ethnologe,
der sie in manchen Fällen auch gespielt haben mag.

Tolstoi veröffentlichte Das Himmelreich in euch im Jahre 1894, darin
die andere Wange, darin man sieht

der Geistertanz verschied weitgehend nach Wounded Knee (29.
Dezember 1890), darin manche glaubten

das Geistertänzerhemd ist kugelsicher

ein Fetzen umrundet zu gewissen Zeiten die Sonne

Thomas Edison filmte am 24. September 1894 einen Sioux-Geistertanz,
genauer gesagt filmte er einen Tanz mit echten Geistertanzkostümen, ein
echter Geistertanz dagegen ist laut Angaben gebeugt anders als Licht

Wir schreiben das Jahr 1894, ein Laden in Baltimore verkauft
Grammophone. Tatsächlich wird man bis zum Herbst über 1000 Geräte los,
etwa 25.000 Platten   Asche los     die Stimmen; wir kamen näher nicht
heran

die Lücke die sich stillt und einstellt schnell darin sich alles dreht
und später steht

und hebt dich ganz in ihren Blick. Der Tanz ist kurz, der Geist

hat darin überlebt   und was wir waren
wurde ohne Licht geknipst.

Aus dem Amerikanischen Englisch von Ulijana Wolf
Uljana Wolf
previous poem
   (Ghost Stories -...)
8 / 10
nächstes Gedicht
(Ghost Stories - If)   
listen to all poems

Cole Swensen

* 22.10.1955, Kentfield, United States
lives in: Washington DC and Paris, United States

Cole Swensen (b. 1955 in Kentfield, USA) divides her time between Iowa, Washington DC and Paris. She works as a writer, translator and editor and teaches Creative Writing at the University of Iowa. Her own press, La Presse, publishes French poetry in English translation.

Cole Swensen's poetry, which, historically speaking, is grouped with Post-Language Poetry, is a reflective, erudite, and at the same time liguistically sensuous art, which draws on both American and French traditions of poetry and art. Her 'serial poems' are sequences of texts with very closely-woven motifs running through them which can deal as much with landscape gardens as with ghost stories.

Swensen has published more than ten collections of poetry in the USA to date, which have garnered awards such as the Sun & Moon’s New American Writing Award, the Iowa Poetry Prize, the San Francisco State Poetry Center Book Award, and two Pushcart Prizes. Her collection “Goest” (Alice James Books, 2004) was a finalist for the National Book Award. Her translations from French have also won awards, such as the PEN USA Literary Award for Translation 2004.

Cole Swensen has been called by Library Journal 'one of the most convincing voices in contemporary poetry'.

Publications
  • It's Alive She Says

    Inverness, CA.: Floating Island Press, 1984

  • New Math

    Winner of the National Poetry Series, 1987

    New York: William Morrow & Co., 1988

  • Park

    Inverness, CA.: Floating Island Press, 1991

  • Numen

    Providence, RI: Burning Deck Press, 1995

  • Noon

    Winner of the New American Writing Award

    Los Angeles, CA.: Sun & Moon Press, 1997

  • Try

    Winner of the Iowa Poetry Prize, 1998, and Winner of the San Francisco State Poetry Center Book Award, 2000

    Iowa City, Iowa: University of Iowa Press, 1999

  • Oh

    Berkeley, CA: Apogee Press, 2000

  • And Hand

    San Francisco, CA: a+bend Press series, 2000

  • Such Rich Hour

    Iowa City: University of Iowa Press, 2001

  • Ile des Morts by Jean Frémon, as: Island of the Dead

    2004 PEN USA Award for Literary Translation

    Green Integer, 2002

  • Goest

    Alice James Books, 2004

  • The Book of a Hundred Hands

    Iowa City: University of Iowa Press, 2005

  • The Glass Age

    Alice James Books, 2007

  • Ours: poems on the gardens of Andre Le Notre

    Iowa City: University of California Press, 2008

  • Greensward

    Brooklyn / New York: Ugly Duckling Presse, 2010

Awards
  • Pushcart Prize

  • 1987 National Poetry Series

  • 1997 New American Writing Award

  • 1998 Iowa Poetry Prize

  • 2000 San Francisco State Poetry Center Book Award

  • 2004 PEN USA Literary Award for Translation

  • 2006 Guggenheim Fellowship

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